James Bond spoof starring Rowan Atkinson as Johnny English, a lowly government clerk who suddenly finds himself promoted to the position of Britain's Number One International Spy. Sent into action after the crown jewels are stolen, English and his sidekick Bough (Ben Miller) soon begin to suspect billionaire Pascal Sauvage (John Malkovich). The plot thickens when the mysterious Lorna Campbell (Natalie Imbruglia) begins turning up in the most unexpected places.

Episode 1: The Phantom Menace
Anakin Skywalker, a boy with special powers, is unaware that the journey he is beginning will transform him into the evil Darth Vader. Obi-Wan Kenobi, is a determined young apprentice and Palpatine, well know as the evil Emperor, is an ambitious Senator in the Galactic Republic. It is a time when the Jedi Knights are the guardians of Peace in a turbulent galaxy and a young Queen fights to save her people. In the shadows lurks an evil force waiting for the right moment to strike.

Episode 2: Attack Of The Clones
Anakin Skywalker has grown into an accomplished Jedi apprentice, and he faces his most difficult challenge yet as he must choose between his Jedi duty and forbidden love. Relive the adventure the way it was meant to be seen in spectacular digital clarity, including the climatic Clone War battle and Jedi Master Yoda in the ultimate lightsaber duel. Discover how Episode II unlocks the secrets of the entire Star Wars saga...

Episode 3: Revenge Of The Sith
Torn between loyalty to his mentor, Obi-Wan Kenobi, and the seductive powers of the Sith, Anakin Skywalker ultimately turns his back on the Jedi, thus completing his journey to the dark side and his transformation into Darth Vader. Experience the breathtaking scope of the final chapter in spectacular digital clarity and relive all the epic battles including the final climactic lightsaber duel between Anakin and Obi-Wan.

This record-breaking global blockbuster was the first new instalment in the Star Wars serial for 16 years, and recounts the events which occured a generation before the original Star Wars film: 'Star Wars Episode IV: A New Hope' (1977). Jedi Knight Qui-Gon Jinn (Liam Neeson) and his apprentice Obi-Wan Kenobi (Ewan McGregor) have embarked upon a diplomatic mission to the planet Naboo, intending to open discussions between the planet's leaders and the heads of the Trade Federation. But when they are ambushed by Federation robots, they quickly realise that the negotiations are merely a decoy for a hostile invasion organised by the evil Sith master. Joining forces with Jar Jar Binks (Ahmed Best) and the Naboo Queen Amidala (Natalie Portman), the Jedis manage to escape from Naboo and journey to the trade planet of Tatooine, where Qui-Gon meets a young slave boy named Anakin (Jake Lloyd), whom he identifies as a potentially powerful Jedi.

A theme that obsessed Shakespeare in over 20 plays from Titus Andronicus to The Tempest was the relationship between a daughter and her father. This study traces chronologically the development of this theme, relating it to the little we know of his own two daughters, and sheds new light on his exploration of the family that so dominated his approach to drama. Drawing on a lifetime's experience of playing Shakespearean roles, Oliver Ford Davies, a former university lecturer and now an Honorary Associate Artist of the RSC and Olivier Award winner, has written an engaging and deeply researched study of a topic that has intrigued him from playing Capulet in 1967, King Lear in 2002, to Polonius in 2008.

An authoritative, hands-on guide through the practical challenges involved in performing Shakespeare. Drawing on a lifetime's experience of playing Shakespearean roles, Oliver Ford Davies offers practical advice to actors, directors and drama students on a wide variety of scenes, characters, speeches and individual lines from almost every one of the plays. The three core sections of Performing Shakespeare take us through the whole process of Preparation, Rehearsal and Performance, preceded by discussions of the Elizabethan actor and Shakespeare's language. Also included are revealing interviews with other notable Shakespearean actors including Judi Dench, Ian McKellen, Harriet Walter, Simon Russell Beale and Juliet Stevenson. 'An invaluable guide to those who act and to all those who wish to gain deeper insights into the performance of Shakespeare's plays' Stanley Wells from his Foreword

The director Peter Dews prophesied: "You'll be alright when you're forty, and even better when you're fifty." It turns out that Peter Dews was right, almost to the month. In a study of British theatre through a varied acting career spanning over sixty years, Oliver Ford Davies explores the many changes within the performing arts scene through his experiences on various stages, in a variety of productions, across the country. Davies charts the ups and downs of British theatre in the last sixty years, while offering a unique perspective on life behind the curtain and the daring journey from leaving behind an academic career and into acting. From Shakespeare to Shaw, Chekhov to Pirandello, this is the story of an actor initially struggling to make a mark before making his breakthrough at fifty, winning the Olivier Best Actor award and being propelled into thirty years of leading roles.

A theme that obsessed Shakespeare in over 20 plays from Titus Andronicus to The Tempest was the relationship between a daughter and her father. This study traces chronologically the development of this theme, relating it to the little we know of his own two daughters, and sheds new light on his exploration of the family that so dominated his approach to drama. Drawing on a lifetime's experience of playing Shakespearean roles, Oliver Ford Davies, a former university lecturer and now an Honorary Associate Artist of the RSC and Olivier Award winner, has written an engaging and deeply researched study of a topic that has intrigued him from playing Capulet in 1967, King Lear in 2002, to Polonius in 2008.

'Harris's novels about the Roman statesman Cicero are perfect audiobook material.' 50 best audiobooks, Daily Mail When Tiro, the confidential secretary of a Roman senator, opens the door to a terrified stranger on a cold November morning, he sets in motion a chain of events which will eventually propel his master into one of the most famous courtroom dramas in history. The stranger is a Sicilian, a victim of the island's corrupt Roman governor, Verres. The senator is Cicero, a brilliant young lawyer and spellbinding orator, determined to attain imperium - supreme power in the state. This is the starting-point of Robert Harris's most accomplished novel to date. Compellingly written in Tiro's voice, it takes us inside the violent, treacherous world of Roman politics, to describe how one man - clever, compassionate, devious, vulnerable - fought to reach the top. Sometimes it is foolish to articulate an ambition too early - exposing it prematurely to the laughter and scepticism of the world can destroy it before it is even properly born. But sometimes the opposite occurs, and the very act of mentioning a thing makes it suddenly seem possible, even plausible. That was how it was that night. When Cicero pronounced the word "consul" he planted it in the ground like a standard for us all to admire. And for a moment we glimpsed the brilliant, starry future through his eyes, and saw that he was right: that if he took down Verres, he had a chance; that he might - just - with luck - go all the way to the summit...'

The year is 1657 and an infirm Oliver Cromwell, Lord Protector of England, Scotland and Ireland, is nearing the end of his life. But who will succeed him? Parliament want him to be king which will unite the people but is against Cromwell's republican principles and will mean his ill-suited son, Richard, succeeds him. But the alternative is a military dictatorship under Cromwell's second-in-command, John Lambert. This elegant, witty play presents a very human portrait of Cromwell. It premiered at the Orange Tree Theatre, Richmond in 2003 starring Oliver Ford Davies.